COMPOSITION

Sheet music available upon request.
*Recording available upon request.

VOCALS

• Anaïs Nin’s House of Incest*: Solo soprano text setting, 2019.

• Anaïs Nin’s The All-Seeing*: SATB choral text setting. 2016

• William Blake’s The Lilly*: Solo soprano and piano text setting. 2016

• Clean: 4-part children’s chorus song. 2015

• Should I (Maia’s Lullaby):* SAB arrangement featuring tenor soloist. 2015

• Immor(t)al Women: 3-movement SSAAT choral piece. 2014

INSTRUMENTAL

• meeting percy*: Orchestral tone poem, 2016

• ukulele only has four strings*: Ukulele etude, 2014

PERFORMANCE

• As You Like It: source and incidental music, Hamlet Isn’t Dead Theatre Company. 2018 (instrumentation: mandolin, violin, guitar)

• Dutchman/Stopkiss: incidental music, Sacred Circle Theatre Company. 2018 (instrumentation: piano, synth, drum kit, found percussion)

• Blood & Water: arrangement, original musical by Francesca Hansen-DiBello. 2017 (instrumentation: toy piano, bass, trombone, cello, guitar)

• In the Copse of the Dog-King: original musical workshopped at the Silent Barn. 2017 (instrumentation: guitar, body percussion, Ableton)

• Midsummer Night’s Dream: commission by the Bennington College Music Faculty co-composed with Chris “Mowgli” Giannitti. 2016 (instrumentation: vibraphone, drum kit, upright bass, chorus)

• The Trash Show, part 2: original musical presented at Bennington College. 2015 (instrumentation: ukulele, bass, drum kit, viola, banjo)

SOLO

Click the albums below to listen on Bandcamp: