cool news: i was named a finalist for Space on Ryder Farm’s 2020 Greenhouse Residency for emerging playwrights!
attitudes of the kingdom
structures for improv and devising
a collection of 108 scenes and prompts for solo and duet movement,
improv based on psychological and mystical research.
presented at the Word Made Flesh festival, 2017, and the Never Before Never Again Festival, 2019.
tree plays
movement-and-poetry plays
three short experimental pieces, LA Play, to Lucy, and deciduous,
inspired by the chaotic and intimate lives of plants.
presented by Water House Collective at The Baumann NY, 2019.
LA play published by the Brooklyn Review, 2017.
In the Copse of the Dog King
queer fantasy musical
two-act folk-and-electronic musical about the conflict between
lesbianism and bisexuality—with elves and a half-man-half-dog.
presented at the Silent Barn, 2017.
The Trash Show, parts 1 and 2
solo performance-turned-musical
autobiographical solo performance and ethical treatise on recycling (part 1) written under the advisement of Kirk Jackson, and adapted for rock band and ensemble performance under the advisement of Kitty Brazelton (part 2).
presented at Bennington College, 2015.
The Bed Show
DIY performance series
asexual drag punk emceeing, performance, and curation.
co-organized by and featuring Maia Villa and Sonja Einem,
presented at Bennington College, 2014-2015.